Kristenza Nelson is a lead teacher at Dodge Nature Center Preschool. She earned a BFA from the San Francisco Art Institute and is working on her Master Degree in Environmental Education from Hamline University. Working with children in nature combines both of her passions. She considers it an honor to foster these connections.

In early March of 2020, the children at Dodge Nature Center Preschool were tapping maple trees in the woods. Together we stretched our trunks and reached our fingers toward the blue sky. Children gave thanks to the Pancake Tree as they whispered, “Wake up!” Spring is a magical time together. The children were relaxed and comfortable in the March thaw. Hope returned with the light and the earth began to squish beneath our feet.

Then, news of Minnesota’s first COVID case came. Within days our joyful preschool fell silent. Our school doors closed as COVID arrived. It was heartbreaking on so many levels. 

How were our young children and families coping in isolation? How could we continue to cultivate the many relationships we’d fostered? Could we engage three, four and five-year old children in ZOOM meetings?  These were trying times, a far cry from being together on the trail. How could we bring children’s voices back to the center? The project that follows emerged from those days of isolation. 

During the closure we invited families to stay connected to our classroom community by offering twice weekly ZOOM meetings that included songs, stories, and time to share. We reached deep to find ways to stay connected. I knew that screens were not ideal and wanted to continue to support their connections to the natural world. I encouraged the children to choose a nearby tree that spoke to them. I asked them to create drawings to share in our virtual spaces and newsletter. We created our own forest, as amazing and unique as each child. How would we continue to grow in place? Perhaps like trees. This was my proposal to families:

Hello Beautiful Spruce Families,

The last time we were together at Dodge we were learning all about Maple trees. Tasting the sweet sap and noticing the buds emerge on the branches.

 We are proposing a long term project that begins with choosing a tree to observe over an extended period of time. You don't have to be experts to learn together. There is magic in discovery.

Begin by having your child make a drawing or take a photo of a tree.

Write down one observation a week to share with the Sprucies.

What does your child notice?

Remember to ask open ended questions.

• Who lives in a tree? 
  
• What do you think is happening?
  
• Where are the leaves?
  

• Do trees eat?

• There are never any wrong answers!
  

  With my whole heart I believe that nature is the best medicine for whatever ails us. Encouraging families and children to go outdoors to observe their trees brought them outside and brought us together. We came together through art, nature and observation. We came together while staying apart, just like trees in the forest.

      

This fall we are grateful to be welcoming children back to Dodge Nature Center Preschool. COVID is still present in Minnesota, but we have learned spending time outside is the safest way to be together. For that we are grateful. It is beautiful to see children back on the trail enjoying the autumn glow beneath the beautiful pancake trees.

 

Reflections on Retirement: "Nostalgia for the Future"

by Patti Loftus

"gestures and dialogues of peace are still possible"

As friends and colleagues gear up for a new school year, the shape of which, because of Covid, is still being determined, I am happily unhinged from the contingency planning and restructuring. Since the end of May, when my final eight weeks of distant teaching ended and my retirement commenced, my brainspace has been entirely taken up with how to live in response to the death of George Floyd (and many others) and the seismic opportunity for awareness and change that seems to have emerged.

Although the following piece by Loris Malaguzzi to parents and children in Reggio Emilia is over 25 years old, it’s remarkably relevant this summer of 2020.

"To the parents and children of the infant-toddler centres and preschools.

It has been a difficult summer for the world, for Europe, for Italy. Because of wars, sometimes invisible and often "forgotten", because of terrorist attacks, because of earthquakes – "attacks" by nature of enormous proportions – tragedies added to tragedies. In our Countries we are witnessing a human exodus. The rights of many are betrayed... starting with children... starting with the right to life and to safety.

Those who work and live with children have a duty to renew hope in their daily action: a message of trust we must embed within us, educators and parents, in order for changes to be generated. In fact,​ ​we would like to hope, believe and communicate to the children that gestures of dialogue and peace are still possible,​ always possible, and that these are the foundation of human relations.

Education to respect for a life and ideas different from one's own, the determination and capacity to dialogue with differences, compassion, and solidarity, are the conditions for a stable peace, capable of halting appalling "holocausts" and giving voice to human reason again.

At the start of this new school year, what we ask of each one of us, we who are parents, educators and citizens in educational institutions, is a daily commitment to reaffirming the right of every person and every society to life and to a future, to education, to safety, to beauty, to play and to relations; continuing​ ​"to give a human and civilized meaning to existence... to feel nostalgia for the future, and for humankind".

(Loris Malaguzzi). Infant-Toddler Centres and Preschool of the Municipality of Reggio Emilia - Reggio Children - Reggio Children Foundation" ​found at Sightines-Initiative.com – “Change is Everyday”

We in the U.S. are in similarly troubled times this summer with the losses and uncertainties that Covid-19 has brought and we are in a time of social earthquakes with renewed calls that “Black Lives Matter,” that racism be named and rooted out. Will this moment of heightened awareness move a critical mass of us to new ways of living so that next generations will no longer replay the same injustices that are still deeply established?

I believe that educators and parents have the potential of leading the way. Malaguzzi wrote that “gestures of peace and dialogue are still possible”​ ​and calls them the​ ​“foundation of human relations.”​ ​He named educators and parents as having a duty to​ ​“renew hope.”

So what are “gestures of peace and dialogue?”

Here is one example.... In our Pre-K classroom, we engaged 4 and 5-year olds in conversations about fairness, skin color, who makes the rules and the big idea that “everyone counts.” I am convinced that if we begin when children are young, we can teach them to “dialogue with differences.” In the book, Nurture Shock, in the chapter titled, “Why White Parents Don’t Talk About Race,” deeply held but false assumptions about young children are described – that children are color blind and that it’s better not to talk about race but, instead, simply expose children to diverse environments. Both of these have been found to be myths.

“The same way we remind our daughters, ‘Mommies can be doctors just like daddies,’ we ought to be telling all children that doctors can be any skin color. It’s not complicated what to say, it’s only a matter of how often we reinforce it...Explicitness works.”

Pre-K teachers at Blake let parents know in advance that, as part of our social studies curriculum, we would be talking with the children about differences and similarities, fairness, inclusion (“welcome” in Pre-K terms) and that no one is inherently better or worse than another because of their skin color. Each year the teachers drew from a lengthy list of book titles and selected those that best led to conversations. We believed it was as important for the white children to engage in conversations about skin color, fairness and civil rights as it was for the children of color. Each year’s work varied and unfolded in ways unique to that particular group and in dialogue with the parents. We shared conversations with the parents in our daily journals, encouraged them to look at the books we read to their children and provided additional titles for parents, particularly those who identified as white, to expand and deepen their knowledge about identity development and U.S. history.

Malaguzzi’s hope (and mine) for children’s “right to life and to safety” and the “capacity to dialogue with differences” will require of teachers (and parents) the determination to be and remain open and curious, to learn more about the difficult racial history of the U.S. (that we adults did not learn in school,) to introduce books, experiences and conversations into classrooms and homes so that children can grow up to be comfortable talking about differences, race, fairness and inclusion. Malaguzzi described a ​“nostalgia for the future,”​ a yearning for a world better than today’s, which holds the possibility of ​“reaffirming the right of every person and every society to life and to a future, to education, to safety, to beauty, to play and to relations.” ​With a renewed focus on justice and change building in our country, I feel hopeful that a better world is indeed possible for all, if teachers, parents, and children make a priority of having these vital conversations together.

Books for Children, including books about “change makers”

One​ by Kathryn Otoshi

We Are All Alike We Are All Different​ by Cheltenham Elementary School

Kindergarten

The Colors of Us​ by Karen Katz

All The Colors We Are​ by Katie Kissinger

Skin Again​ by bell hooks and Chris Raschka

Whoosh​ by Chris Barton

Mae Among The Stars​ by Roda Ahmed and Stasia Burrington

Ron’s Big Mission​ by Rose Blue and Corinne J. Naden Wilma

Unlimited​ by Kathleen Krull and David Diaz

Queen of the Track​ by Heather Lang

Dolores Huerta​ by Sarah Warren

A Splash of Red​ by Jen Bryant

Wonder Horse​ by Emily Arnold McCully

My Brother Martin​ by Christine King Farris

Back of the Bus​ by Aaron Reynolds and Floyd Cooper

Fly Bessie Fly​ by Lynn Joseph and Yvonne Buchanan

Ruby Bridges​ by Ruby Bridges and Grace Maccarone

In The Garden​ with Dr. Carver by Susan Grigsby and Nicole Tadgell

Resources for Adults

Waking Up​ White Debby Irving

White Fragility​ by Robin D’Angelo

Stamped From The Beginning​ by Ibram X. Kendi

Note: May, 2020 marked the end of Patti's 36-year career in early childhood education - 28 years as a Pre-K teacher at Blake School in the Twin Cities area and eight as a Montessori and ECFE teacher. Patti’s status is “retired” but she is available (at no charge) to share resources and ideas with anyone interested.​​pattiroseloftus@gmail.com

The changes that have come with the Corona virus have disrupted everyone’s lives, relationships, routines and expectations. President of Reggio Children, Claudia Guidici said (regarding COVID), “This completely unknown and unforeseen situation obliges us to rethink our daily way of life, our work and our relations, our way of seeing others and everything that surrounds us.” Uneasiness increases when we add inequality and civic unrest.The structure of care and education for the coming year is uncertain, and will likely remain so for the foreseeable future.

While there is a plethora of sources for parents and teachers to access to support relationships and learning for both children and adults, we have been moved by the civic generosity of Reggio Children in making their current work freely available and translated into English. There are several kinds of offerings. 

The first, via Reggio Children, offers a collection of small proposals “to develop ideas and initiatives, for us to stay together, play together, and make school together.” The accessible provocations are loosely organized: stories, sounds, drawing, number, digital, etc. 

https://www.reggiochildren.it/en/athomewiththereggioapproach/

For many years we have wanted to better understand the work of the teachers in Reggio. While inspirations from Reggio Emilia are not intended to be copied, educators from Reggio Emilia are regularly making distance learning experiences visible, which serve as powerful examples. The Reggio Children – Loris Malaguzzi Centre Foundation (Fondazione Reggio Children Centro Loris Malaguzzi) promotes the Reggio Approach around the world.

"These are proposals that, despite the difficulty of not being able to attend school, going out, meeting friends or playing outdoors, allow children to investigate, think from different points of view, graphically represent, explore with the imagination to support their curiosity and desire to know."   

These online documents give us a glimpse into teachers’ thinking and planning which deepen experience, not only in the context of the digital environment. They provide intriguing starting points for distance learning.

https://reggiochildrenfoundation.org/onlineactivities/?lang=en

Please regard these online provocations as a framework and consider how they might affect your planning. The breadth, depth and accessibility in the workshop design are remarkable. 

Reggio Children is also offering, for the first time, live webinars at relatively modest tuition, presented by teachers, pedagogistas and atelieristas sharing narratives, images and videos of projects from their educational project. The webinars are structured very much as presentations during Study Tours. Webinars are in Italian with simultaneous translation voiceover in English. There will be a new schedule of events for the fall. 

https://www.reggiochildren.it/en/e-learning/webinar/ 

We would like to encourage everyone to document and reflect on your experiences as we adapt to our current circumstances and would love to gather traces and reflections inspired by Reggio Emilia. We are interested in working via any of the distance platforms with you, at any step along the way. It’s a fresh opportunity for collaboration. Contact Lani Shapiro at lani.shapiro@gmail.com and/or send an email to reggioinspiredmn@gmail.com

 -Lani Shapiro

At St. Paul School of Northern Lights, relationships are fundamental to our work. By developing respectful relationships, our teachers facilitate a deep sense of belonging amongst their class and the entire school community.

Because children’s sense of connection derives from feeling welcomed and valued, much time is invested in establishing and nurturing safe and positive classroom environments, which contribute to meaningful learning.

How might this deep sense of belonging be actively nurtured while students are learning from home?

With schools closed, our school community needed to see the potential in learning from a distance and develop necessary skills and understandings. Our faculty researched different online platforms to find ones they felt would best reflect the values of our school, support our students staying in relationship with one another, and provide possibilities for children to think together. Just as teachers organize learning environments at school to invite interactions, connection and learning among children, we wanted similar possibilities for offsite learning.

In addition to continued access to academic content, our teachers promoted connection by creating Distance Learning Bags. All SPSNL students received materials to enable them to participate in two community projects – The Bean Growing Project and The Loose Part Project.

As with the Finnish Education System, our teachers were driven by the desire to “do whatever it would take” to provide authentic experiences. Continuing the values of SPSNL, teachers identified ample opportunities for play and exploration both indoors and out, and sought to incorporate time for student reflection both independently and with their peers.

Since the launch of distance learning, our teachers have integrated elements from their existing practices that support the value of belonging. Every morning, video messages are posted that include rituals and routines to provide familiarity, connection and belonging, which is especially important during this challenging time. Students can see their teacher’s face, hear how classmates are being genuinely missed, and are warmly invited to explore the learning invitations for the day. 

But how could opportunities be created for students to feel like they are thinking together, something that is deeply valued by our school?

Teachers schedule Zoom calls with their students, sometimes as whole class experiences to listen to a read-a-loud or to introduce much loved pets to classmates. Sometimes video calls are set up for smaller group chats where students are able to think together about a particular project or how they are navigating distance learning. Flipgrid is serving as our school-wide community platform where students across classes can think together and hear others’ points of view.

At SPSNL we also strive to build community through kindness. Even at a distance, students continue to leave birthday wishes, sing songs and create drawings for classmates on Seesaw. They record comments in response to something a peer may have posted. Some students have written letters to each other and to their teacher, sending them through the mail. Others have written poems about kindness. SPSNL children have also shown ways they are extending kindness to others beyond their class community, by putting messages and bears in their windows to warm the hearts of people passing by. Some children have created thank you cards and paper hearts for their parents, recognizing that even their parents appreciate support during this time. 

In addition to nurturing the relationships between children and teachers, and among the children, our teachers continue to think about how to help parents feel supported and valued during this unprecedented time. As parents and teachers are experiencing distance learning for the first time, we seek ways to be active partners in this new endeavor. Together with each child’s family, our teachers are striving to create learning opportunities to support each child’s growth and well-being while learning from home. 

As we hope this time of social distancing will soon pass and that those whom we know and love will remain safe and well, we are reminded of the significant value of being part of a caring community and the joy of being able to think together. Forming and nurturing relationships with others contributes to one’s sense of belonging. May we all look forward to being in the physical presence of one another again with renewed appreciation.

- Kate Arbon

Learn more about School of Northern Lights here: https://www.schoolofnorthernlights.org

Collage and Printmaking with Young Children Gathering

by Emily Benz

This January’s Collage and Printmaking with Young Children gathering was a hands-on textural feast in the art studio at The Blake School. Kim Lane, Blake’s lower school art teacher at the Hopkins Campus, led the group through a joyful exploration of collage and printmaking techniques for three hours. As an adult often busy with the responsibilities of life, I was thrilled to have the opportunity to be a student in the studio for the morning and became so thoroughly immersed in the process, I could have happily gone on for a couple of hours more.

We began the morning with tempera paint soaked in felt and simple tools; a textured wheel from a toy, ridged cardboard triangle, a wooden block with string tied around the middle were some examples, and we used these simple tools to create patterns on brightly colored sheets of paper. Some made simple and clean patterns, others made highly complex prints with layered colors. Colors and tools moved from table to table, and people did, too, when they felt moved to try another hue. The process was simple and the results were bright and surprising. I felt bathed in color and light as I saw our prints on the drying rack. It was easy to see how very young children could delight in this kind of printmaking

Then it was time to cut out shapes to create printing plates. We used white card stock and cut it up and glued it onto cardboard plates to create our plates. Some were experts with the scissors and created intricate patterns inspired from nature, others made bold and abstract work with thicker pieces. I myself cut many different small lines and then let my image show itself to me as I played with the tactile lines on the cardboard. It turned out to be a stick house, inspired by the many similar structures my children built and played in at Dodge Nature Center and Blake.

Kim then offered trays full of colorful piles of paper individually painted to use for collage. In her studio, children mix these complex colors and paint them onto paper first during one class period. Then, the next session, these same painted papers are offered for collage, giving the work a different depth. Again, scissors in hand, we quietly snipped the satisfyingly textured paper and ideas emerged both abstract and realistic as we lost ourselves in the process. After finishing our own collages, we took the time to see some of the Kindergarten collages in the hall; my favorite was an elaborate collage of an exploding ice cream shop, with many tiny red and orange pieces intricately arranged to fashion the explosion dramatically on black paper. Ms. Lane pointed out, pieces don’t even have to be cut to make collages like this, they can be torn instead.

We ended the morning seeing some examples of cardboard collage puppet animals, (a lemur in a beret was a standout) and then creating our final print plates by drawing firmly into Styrofoam plates and then rolling them with black ink and pressing them into bright sheets of paper. The process was crisp and satisfying.

I was struck again and again by the simple materials offered and the visually arresting results that came out of our guided exploration with them. As a parent at Blake of a fourth grader and a first grader, I’ve long admired the projects that my children bring home from Ms. Lane’s studio. But to be a student in the studio myself opened up a whole new appreciation for all of the subtle magic that happens for the children there. To go through that process as as adult, whether as a parent or an educator, is invaluable. It allows us to see the potential for making art with ordinary objects, to savor the gift of slowing down time, and to experience the knowledge through exploration of materials. The time and space and materials to make art – whether in a dedicated studio, a spot in a classroom or on a kitchen table – encourages quiet meditation, critical thinking, collaboration, and playfulness. And as Ms. Lane reminded us very importantly, we don’t need much in the way of materials to create these rich and empowering opportunities for the children in our care.

 

The beauty of presenting loose parts to young children is that they invite the child’s powers of destruction and construction in almost equal measure.

In moving, joining, poking, sorting, naming, stacking, painting, and tinkering with loose parts, the child continually makes and ‘unmakes’ configurations. By adding, subtracting, pausing, persevering, evaluating, revising, concluding, and revisiting, the child increasingly and exponentially expands her/his powers of cognition and personal agency while simultaneously delighting in the fun of open-ended play.

The surprise inherent to using loose parts in early childhood classrooms is tucked into every individual and collaborative venture: the gift of witnessing the unfolding of a perfectly unique offering.

- Judy Hodder

Wandering and Wondering: Connecting the Joy of Loose Parts To the Early Childhood Setting

Featuring Carla Gull, nationally renowned speaker on the whys and hows of using "Loose Parts" with children of all ages to support creativity and inquiry.

• How can we respond to children's interests and needs by offering them open-ended materials?
• How can we use "loose parts" to make our classroom environments enticing, stimulating and appropriately challenging for children?
• How can we support children's inventiveness through our intentional, thoughtful presence and planning?

8:00 AM - Registration
8:30 - Welcome and introductions
9:00 - Keynote Speaker, Carla Gull
10:45 - Break-Out Sessions: Choice of smaller group workshops including:

• Using loose parts outdoors in nature
• Materials in the classroom: A conversation on getting started
• Rethinking Nicholson’s 10 Principles

12:00 - Lunch and networking; Book vendors: Red Leaf Press, Oleanna Books and Debra Fish Library1:00 PM - Group Reflection, Door Prizes and closing

Location:
Benilde-St. Margaret’s School
2501 Highway 100 S.
St. Louis Park, MN 55416

Register Online by Monday, September 30, 2019
Cost includes lunch and CEU’s

By Tam Weiss Rhodes and Heidi Wolf

Marvel: ​to become filled with surprise, wonder, or amazed curiosity, to feel astonishment or perplexity at or about, intense surprise or interest

I. Learning in context

The Exhibit:
The “Wonder of Learning” exhibit brought a multi-media display to the Madison, Wisconsin Public Library sharing the work of educators and children from Reggio Emilia, Italy with educators, parents and child advocates. The Reggio-Inspired Network of Minnesota coordinated a study visit to the Exhibit April 12 – 13, 2019. An event on Friday evening framed our experience and helped us start thinking of moments in our lives with children that were moments of wonder. In small groups, we shared a photo or described a moment when we witnessed a moment of wonder in learning.

Through the exhibit we were offered a deeper look at potential ways teachers can implement and support child-centered learning, and teachers and children can co-construct knowledge around projects.

Heidi:​ ​Many of the exhibit panels had sentences or paragraphs that I had to read and reread and even write them down to ponder later. One that stood out was:

“Environments can multiply these marvelings – singling out certain phenomena and ‘amplifying’ them, making them more spectacular.”

Tam:​ The exhibit triggered reflections and questions on our interactions with children, heightened our awareness of patterns of adult thinking that can hinder us from seeing children and gave guideposts, generated ideas and posed new questions.

• Where are my “aha” moments, and why?
  
• What happens when I see this learning in the children around me? How do I respond now and what can I change?
  
• How can I bring about this change?
  

Heidi: ​Since seeing the “Wonder of Learning” exhibit, I am making a renewed effort to REALLY observe the youngest in my classroom, to set up the environment with simple materials that engage children and to slow down and let them take in the magic and be in the moment with them.

I am still learning to observe the toddlers in my care and join in their delight and surprise, and to remember what magic each of these experiences might be for them.

II. The photograph

We are standing together at the “Wonder of Learning” exhibit; independently stopping in silence for a long time in front of one particular panel.

Tam: ​I turn to Heidi and launch into an exchange that seems to continue a conversation begun the night before, during the Network welcome, to launch our work. We are looking together at an image in which children are walking, there are vines tangling their feet, and the teacher appears to realize that something magical is happening.

What grabs my attention is this moment here. Much of the other work is beautiful, but it seems familiar to me because it is situated within the context of the school and classroom. (I point to the photograph.) But here - here’s what I can’t stop thinking about.

Heidi: ​I was struck with how closely the teachers watched the children for evidence of learning, especially reading body language since these children are just beginning talkers. This reminded me how important observation is, especially with the youngest learners.

Tam: ​As an adult, attuning to the emotional lives of children distorts time. I have to slow down to value the child’s frustration simply feeling a vine tangling tiny feet – feet that have just mastered walking. At the same time, I have to speed up to act quickly enough to snap the mental image (or photograph), listen to the child, envision the possible trajectories of this learning opportunity, and ensure the child is safely able to negotiate space once more.

And so, I’m here. I get stopped right here.

Heidi: ​When I was looking at the panel and that photo of feet, entangled in a vine, I too get stuck, but in a way that makes me speculate how often I miss moments of opportunity with children when I rush them along, especially the toddlers, in my effort to keep up with the group of older children in our multi-aged classroom. How often have I robbed the toddlers in the group of a moment of wonder or missed a chance to notice a discovery? I stop myself here, asking, how can I remember to SLOW down, and join the moment of discovery and to see it?

It occurs to me that as adults, as we gain knowledge in life, the routine of daily life becomes mundane. I wonder if we have lost touch with the feeling of what it is like to marvel. Maybe it’s a version of childhood amnesia. With children, especially toddlers, everything is new, everything is magical – a true MARVEL. I think adults forget that the joy and struggle of discovery is more important than the final skill acquired.

 

by Eileen Galvin, Friends School of Minnesota Communications Director

This March, Marshall Anderson, Kindergarten teacher; Laura Pereira, Art Specialist; and Karen Salter, Music Specialist presented at a RINM Saturday Gathering.

Their presentation titled Creativity, Collaboration, and The Arts explored how their collaboration deepens their children’s learning, and how their collaboration deepens and energizes their practice as teachers. 

• What language embodies the spirit of collaboration?
• What does collaboration feel, sound and look like in your setting?

"We know from research that the brain’s weakest function is the retention of isolated bits of data. Its strongest function is the retention of pattern, narrative, story and system. The brain is a patterning organ, and it thrives on making connections." 

– Parker Palmer

The Arts and Insects 

Each year, Laura collaborates with teachers from first and second grade to focus on the natural world, and on insects in particular. Through collaboration, this project evolves each year depending on the children’s responses. 

The children explore insects from many different perspectives and using multiple media: 

• observing insects outside 
• looking at pinned insects in a science lab 
• writing about how they have interacted with insects in their lives 
• painting watercolors of insects 
• making 3-D insects out of found materials
• sharing their knowledge with their older buddy 

The children reflect on these questions: 

• “What do artists and scientists have in common?”
• “How can viewing an object from the perspective of an artist help scientific understanding?” 

“Artists and scientists both observe, experiment, and discover things,”
Lola, 1st grade

“What did you discover? How can you use these discoveries in your paintings?”

• “What parts exist on real insects?”
• “Can you create an imaginary insect that uses real insect parts?”
• “How can you use found materials to imitate nature?”

Children make deeper meaning when they examine a subject from many different perspectives, in many different ways. The arts provide space for deeper thought, creativity and engagement throughout a curriculum. 

“The wider the range of possibilities we offer children, the more intense will be their motivations and the richer their experiences. We must widen the range of topics and goals, the types of situations we offer and their degree of structure, the kinds and combinations of resources and materials, and the possible interactions with things, peers, and adults.”

 – Loris Malaguzi

Join the Reggio Inspired Network of Minnesota this evening, at Dodge Nature Preschool, at 6:30 pm, to celebrate the year with wine and conversation, and to learn more about our exploration of The Wonder of Learning exhibit in Madison, Wisconsin. It's free!